A night with beautiful vistas

A night with beautiful vistas

I had a night with beautiful vistas: in dreamland: having a quiet and fine New Year’s Eve together with Veer without media, chewing on half a hat of Waardstool together and you sleep like a log later, even if a bombardment is still raging outside. Dreaming with visions full of beautiful landscapes. 2023 will be the year when 10 years of nomadic existence comes to an end for me. Actually, my whole life has been a nomadic high: moving from place to place, and until 2 years ago I had moved 20 times, but we have thrown the gear on that last two years by having no place at all. Wow, that was intense, and like everyone else, 2022 was a year showing its prickly self in full – but the difference between a Sage and a normal human being is that the latter experiences everything either as a curse or a blessing, while for the Sage, only challenges exist.

A Sage cannot Complain! Because you can only complain if you are cursed, if Bad luck exists. I picked up this perspective from Castaneda’s books as a young teenager. Then I went to live on my own for 5 years, squatting, without any income there I had to take care of myself. That was pretty extreme poverty, but I never complained about it even for a moment, and I noticed this year that my father had created some story in his head about me running away from home when I was 16 and immediately getting a generous benefit from the government. In his psyborg view, that was the only reason to explain my lack of complaints. So this false construct, this projection cage – has played a role in the background all my life. But you can’t complain about that either – it is a consequence of choosing this path, which is rudimentarily different from the energetic configuration they create model citizens with.

Having to deal with complainers is, I think, the hardest thing for me in this life. I myself am writing another thick volume of poetry under the greatest possible pressure and that volume is of a high standard, which is the impeccable thing to do. But then you have to deal with the kind of people who still live in a script, often in this case the script of the ‘recognised poet’ who is allowed to put in a meagre performance every so many years because he is supposedly in a fund. That whole idea of being in a fund, after which each book is allowed to see life without criticism is pretty much the ultimate form of entitlement, and my perspective is radically different: each collection has to be better than the last, full stop. And what do you see: those script dwellers start gossiping behind your back, because it is not their laziness that is the problem, no, your vision is the vision of a monster.

Gossip away – you really don’t have a Sage with it. That publisher’s supposed success is your projection, not mine. I care about literature, not success. But what you see predominantly in the world of literature is that entitlement is the norm, just as the entitlement of ‘mental illness’ knew to become the norm in the Western world, a few labels with shadowy explanations from which you derive rights to behave lazily.

In the real world such rights do not exist.

Kind regards and have a great 2023!

Martinus, Mierlo, 01-01-2023

About the author

Martijn Benders has published twenty-six books, eighteen of which are in Dutch. Critics such as Komrij and Gerbrandy have hailed him as one of the greatest talents of his time. He has also written three philosophical works, one of which is in English and focuses on the Amanita Muscaria, the Fly Agaric. Publishing on the international platform of The Philosophical Salon, he has also gained international recognition as one of the most remarkable thinkers from the Netherlands.

Books

There exists a considerable group of leftist individuals who vigorously opposed the prevailing coronavirus narrative, including some of the world’s leading philosophers, such as Agamben and Kacem. However, this stance was heavily censored and vilified by what is referred to as ‘neocon-left’ or ‘woke-left’, as something associated solely with what they deem ‘far-right’. In my book, I discuss the reasons behind these actions, the underlying motives, and how this is emblematic of a new form of fascism aimed at seizing power permanently.

The middle section of the book is dedicated to poetry. It features a beautiful selection of poems from the Mediterranean region, by poets from Turkey and Greece, who have been imprisoned and tortured by the regime.

The final part of my book is a manifesto against literary nihilism, as manifested in the Literature Fund. It reveals how this fund is dominated by a group of Christians and ‘wokies’, which is undesirable in a free society.

Amanita Muscaria – The Book of the Empress is an exceptional work that sets a new benchmark in the realm of mycophilosophy. While one might be tempted to classify the book within the domain of Art History, such a categorization would fail to capture its true essence. 

Amanita Muscaria – The Book of the Empress – De Kaneelfabriek, 2023

You don’t have time to read this, but that’s because you are no longer human. If anything remained of the original person within you, the old mycelia of childhood, you would learn a great deal from this book. In fact, its magical knowledge might become your most valuable possession. This is a book about human imagination and how it fell into the iron grip of transdimensional cockroaches. Additionally, it offers magical tips to significantly improve your life and time acceleration. M.H.H. Benders also takes a light-hearted yet scathing look at the entirety of Dutch literature. What more could you want?

Facebook
Twitter
LinkedIn