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Portugal: Haven of the Kale Farmers

Posted on September 13, 2024 by admin

This article is based on this Dutch article of Martijn Benders

Portugal, Haven of Kale

The arrival of Bertus Dijk’s first book brought a flood of childhood memories. Even then, I found Portugal to be a dark country, the darkest I had ever visited in my youth.

It wasn’t until 1975 that the merciless church dictatorship came to an end, even though it was dressed up with beautiful words. If you read those two papal encyclicals, everything seems fine on the surface. Pretty words that hide monsters. Only recently have the sexual scandals been investigated, but just like in the Netherlands, the investigations were carried out by the church and religious figures themselves—a cover-up, essentially. In the Netherlands, it was Deetman who was tasked with putting out the fires.

What I haven’t been able to process is the vast slum near Lisbon that I visited back then.

Why don’t those resistance poems truly captivate me? Perhaps they are too traumatic, too straightforward, or maybe it’s due to Bertus Dijk’s translation skills. Or perhaps Portuguese poetry just doesn’t resonate with me; I don’t even like Pessoa. So I don’t belong with those older poets who dream of opening a bed and breakfast on the outskirts of the Algarve. Christian friends who want to write a twenty-eight-volume biography in Komrij’s house seem to fit better in that dark land than I ever would. Even Ronaldo with his golden shoes—he’s like a shining figure from a nightmare.

And let’s not even start on what happened in Angola and other Portuguese colonies. Bertus Dijk writes about this frequently, and I eagerly await his philosophy book. I don’t think he was a great translator, but he was at least a man with his heart in the right place. That seems to be just as valuable, if not more.

The images from 1970s Portugal remain vivid in my mind. The old men perched on ledges, the nude sunbathers, the skull I didn’t dare to unearth. Bleeding knees, worn-out marble. More about the slum tomorrow.

(And of course, the modern images of Portugal: BBB Lientje and Don Mossad Arturio
sipping wine, thinking of the Great Rieu and Andre van Duin…)

Martijn, 12-09-2024

Post Views: 236
Category: Psychosupersum

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Castles Get Kicked in the Bricks each Summer

Let’s face it: some backpacks just carry your stuff. This one tells your entire life philosophy in one ridiculous, multilingual joke. Imagine strolling into a museum, a bus stop, or your ex's new wedding—with a bag that declares, in ten languages, that castles are always the losers of summer.

Why? Because deep down, you know:

  • Tourists always win.
  • History has a sense of humor.
  • And you, my friend, are not carrying your lunch in just any nylon sack—you’re carrying it in a medieval meltdown on your shoulders.

This backpack says:

  • “I’ve been to four castles, hated three, and got kicked out of one for asking where the dragons were.”
  • “I appreciate heritage sites, but I also think they could use a bit more slapstick.”
  • “I’m cute, I’m moopish, and I will absolutely picnic on your parapet.”

It’s absurd.
It’s philosophical.
It holds snacks.

In short, it’s not just a backpack—it’s a mobile monument to glorious collapse.

And honestly? That’s what summer’s all about.

Philosophy thirts

Feeling surveilled? Alienated by modernity? Accidentally started explaining biopolitics at brunch again? Then it’s time to proudly declare your loyalties (and your exhaustion) with our iconic “I’m with Fuckold” shirt.

This tee is for those who’ve:

  • Said “power is everywhere” in a non-BDSM context.
  • Tried to explain Discipline and Punish to their cat.
  • Secretly suspect the panopticon is just their neighbour with binoculars.

Wearing this shirt is a cry of love, rebellion, and post-structural despair. It says:
“Yes, I’ve read Foucault. No, I will not be okay.”

Stay tuned for more philosophical shirts and backpacks, as we at Benders are working on an entire collection that will make even the ghost of Hegel raise an eyebrow.

Curious about the intersections between poetry, philosophy, and machine learning?

Explore a collection of notes, reflections, and provocations on how language shapes — and resists — intelligent systems like Grok

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